Chopin’s Nocturnes safe in master pianist’s hands

CHAMBER MUSIC NZ 

The deep emotional connection London-based pianist Piers Lane has with Chopin’s Nocturnes was very much in evidence during his performance for Chamber Music New Zealand last week.

Starting with the earliest pieces, written when Chopin was just 17, Lane’s performance featured 20 Nocturnes in order of composition — providing a rich exploration of the composer’s development.

Superbly played, with sensitivity and a sense of deep affection, The Nocturnes were filled with glorious melodies from the light and simpler earlier pieces to the more sombre and complex later works. This was particularly evident in the gradual transition from left-hand arpeggios towards an increased use of chords and fiery, fast passages, as well as a melancholy sense of acceptance towards the end of Chopin’s life.

At intervals through his performance, Lane would pause to speak to the large audience, sharing anecdotes about Chopin’s life and discussing the nuances of the works, adding greatly to the overall experience.

After a thoroughly satisfying and substantial recital, Lane received warm applause and returned to round-out the programme with a beautiful encore of Chopin’s Waltz in C Sharp Minor.

All in all, it was a rare treat to hear Chopin’s glorious Nocturnes in the safe hands of a true master. Bravo!