Tom McKinlay

Values based on Maori ancestral knowledge are piloting an ethical fund through the world of investing, Tom McKinlay writes.

All it took was a little help from her friends, and a cathedral. Abby Wolfe tells Tom McKinlay about her big new video.

A new documentary captures the phenomenon that was Waiuta, writes Tom McKinlay.

If you like running, and running, there’s a sport for you. And now it’s arrived in Dunedin, writes Tom McKinlay.

When Yvette Reid went to cast the film Savage, she wasn’t just looking for actors, she tells Tom McKinlay.

Tom McKinlay can’t even properly report what Talia Ellison says. For all that, there appears to be evidence of progress.

From stitching and mending to remaking whole systems, a Dunedin social enterprise is broadening its ambition, Tom McKinlay writes.

Comic artist Veronica Brett is capturing her world in words and pictures.

A humble beetle could be the catalyst that brings town and country together to create better farms and cleaner waterways, Henrik Moller tells Tom McKinlay.

A new approach to the country’s waterways may finally restore their mana, writes Tom McKinlay.

Black Lives Matter has profoundly affected many in New Zealand. The solution emerging for this country is something called decolonisation, writes Tom McKinlay.

Finally there’s something like an answer to one of the great questions of contemporary music, writes Tom McKinlay.

In New York, Jim Stevenson is a pretty big deal.

Cartoonist Shaun Yeo joined the Otago Daily Times in February. Then Covid-19 happened. He talks to Tom McKinlay about the art of the topical.

Looking for a gorgeous paddle? Look no further, writes Tom McKinlay.

A new book on David Bowie makes connections, writes Tom McKinlay.