Daniel Barenboim conducts an unusual production of Verdi's opera, filmed live last December. It is a dramatic work containing the famous and irresistible Anvil Chorus and Di quella pira, a showpiece for tenors.
But most interest here will be on performances of two famous stars, Russian soprano Netrebko (in her 40s) and Domingo, the 73-year-old Spaniard famous for performances in the tenor title role but now impressive as the baritone Count di Luna, arch-rival of Manrico the troubadour.
The latter role is nicely sung by tenor Gaston Rivero, and mezzo Marina Prudenskaya is stunning as Acuzena the Gypsy.
All voices are splendid throughout, as you could expect with two famous, experienced soloists in full bloom (Domingo now sounding more burnished and darker) inspiring the other singers.
The production is startlingly eccentric and circus-like, the stage set as a wooden cube with trapdoors, a well-drilled and top-hatted male chorus carries huge spears, and the cast throws giant shadows on walls where changing video projections of paintings by Magritte and ''vanitas'' still-life art also sometimes display.
The loud firing of a cannon several times on stage is another dramatic touch.
Netrebko's first appearance as the tragic Leonora with her confidante Ines had them both appear like marionettes in Velasquez costumes, and Acuzena looks wide-eyed and maniacal throughout her role.
But the music will not upset any viewer.
Barenboim is firmly in control, if sometimes wanting to make Verdi sound more like Wagner.
Netrebko acts with charisma; her top range is still excellent. Well recorded.
Highlights: Great singing, sensational effects.
