Six years after the 2011 release of Helplessness Blues and nearly a decade since their excellent 2008 self-titled debut, Fleet Foxes return with an effort that offers no great departure from their...
At the forefront of bubblegum trap, 19-year-old Atlanta rapper Lil Yachty has garnered a reputation for his blissfully exuberant brand of rap, exemplified by his Grammy-nominated turn on the...
On his fourth solo album, Kansas City songwriter Kevin Morby delivers a set of 1960s and ’70s-indebted sonic wanderings as an ode to the mix tape of metropolitan experience.
The seventh album from the son of legend Steve Earle continues a journey along the byways of Americana, fusing country and folk storytelling to a rhythm and blues bar-room vibe.
Twenty-seven years since their first UK No1 (Some Friendly), The Charlatans achieve that rare feat of completing a 13th album that offers compelling listening.
Slowdive’s self-titled fourth studio album comes some 22 years after its last effort, Pygmalion, following which the British pioneers of shoe-gaze promptly split.
Forty years (to the month) since The Jam released its debut album, Paul Weller continues to show his curious mix of angular restlessness and pop-rock craft.
Comprising eight songs, the third album from Broad Bay troubadour Matt Langley is succinct in more ways than one: it is an exercise in editing, the sharp honing of its lyrics matching its deft and...
As one of the late-’90s most combustible bands, At The Drive In brought a cerebral edge to the hardcore scene, producing one of the genre’s most feted releases (2000’s Relationship of Command),...
Apparently more popular at home than compatriots Bjork and Sigur Ros, Icelander Asgeir Trausti has followed his debut, In the Silence, with an effort that might be borne on the afterglow (sorry) of...
Having roamed down country roads and imbibed the steamy soul of Memphis, American singer-songwriter Sheryl Crow has opted for a blend of big pop songs and minimalist, groove-infused electric guitar...
John Congleton, the Grammy-winning producer behind Franz Ferdinand, St Vincent and Unknown Mortal Orchestra, apparently went back to basics, opting for a live approach when recording the 11th album...
Despite its title, there’s nothing remotely memorable about the debut album from former Syracuse University EDM brats The Chainsmokers, whose quest for safe commercialism is only bettered by their...