Pou carvers share skills

John Horton, of Oamaru, displays his finished kowhaiwhai at the Te Whare Koa marae workshop last...
John Horton, of Oamaru, displays his finished kowhaiwhai at the Te Whare Koa marae workshop last Saturday. PHOTO: ARROW KOEHLER
The entrance to Oamaru’s Te Whare Koa marae will soon be adorned with new pou made by a travelling group of carvers and their students.

The group of eight came from the Te Wānanga o Raukawa, a Māori university based in Ōtaki. They have spent eight days in Waitaki carving the pou and sharing their skills with locals.

Pou, or pouwhenua, are traditional carved posts representing the people and the land.

May Macdonald, of Oamaru, peels her kōwhaiwhai painting at the Te Whare Koa marae workshop last...
May Macdonald, of Oamaru, peels her kōwhaiwhai painting at the Te Whare Koa marae workshop last Saturday. PHOTO: ARROW KOEHLER
Te Whare Koa co-secretary Sophia Leon de la Barra, who is also a student, said it was a marae of the four winds, established in 1981 for Māori living away from their home.

There was a a lot of urban migration to Waitaki for work and the marae ensured Māori who moved could still have a place to come.

"It’s really a place for people from all iwi to come and connect with te ao Māori."

Carving tutor Chris Gewetzen said the pou were designed to symbolise that.

One of the main themes of the design was the whale, which were considered a gift to Māori.

As mammals, whales were creatures of the land. They beached because they wanted to return home.

Beached whales provided a great deal of bones and food to the people, so much that they were forced to share.

There was no refrigeration, so the meat had to be given away and eaten quickly.

The pair of pou included a manaaki and a kotahitanga at the top, the male and female respectively, and a whale tooth down the bottom, connecting to the land.

They were made of two macrocarpa slabs, donated by a local farm.

A pou could not be designed until the carver had seen the wood and started removing material, he said.

Sometimes you could have an idea in mind, but after starting to carve the knots and cracks in the wood could force that to change.

The designs also had to have a sense of symmetry.

The group show off their finished work. PHOTO: SUPPLIED
The group show off their finished work. PHOTO: SUPPLIED
The male pou had a fault which had to be cut out of the top right, so the same cut was made on the female pou.

"At the end of the day the wood calls the shots."

The marae hosted a kowhaiwhai painting workshop last weekend, led by tutor Kelly-Anne Ngatai, who travelled down with the carvers.

Kowhaiwhai are traditional Māori patterns, which the group painted on to boards using stencils.

About 20 people attended and learned the basics of the art, Ms Ngatai said.