Organ festival played out by rising stars

University of Otago music graduate and organist Micah Xiang performs the first movement of...
University of Otago music graduate and organist Micah Xiang performs the first movement of Charles-Marie Widor’s 'Symphonie 5' on Norma, the Dunedin Town Hall organ, during the final concert of the 2024 Dunedin Organ Festival yesterday. The concert also featured organ stars David Burchell (right), of Dunedin, and Max Toth, of Wellington. PHOTO: GERARD O’BRIEN
Organ Festival Finale, Dunedin Town Hall, Sunday, June 30.

Organists from around the country attending the Dunedin Organ Festival 2024 ended their four days of activities yesterday afternoon with a concert in the Dunedin Town Hall, where Norma — the city’s unique symphonic pipe organ — reigned supreme.

City organist David Burchell opened the programme with a loud compelling single note motif, which rapidly developed through several settings and foot pedal melody lines, enthralling the large audience in anticipation of what was to follow.

First up was Micah Xiang (organ graduate from University of Otago) who chose Litanies, by Jehan Alain, and the first movement of Symphonie No 5, by Charles-Marie Widor which was a set of variations, ideal to show the many "voices" of this organ.

Light and dainty to strong and heraldic — all confidently delivered with great performance ability and professionalism.

Burchell followed with light playful settings for a scherzetto, by Whitlock, a very fast typically contrapuntal work (BWV 36) by J.S. Bach, Piece Heroique, which proved to be an amazing symphonic workout for both performer and instrument, and the second movement of an organ symphony by John Wells (commissioned for this organ a number of years ago.)

Max Toth, an organ honours undergraduate from Wellington, contributed Fandango from Three Basque Dances, by Naj Hakim.

This was a very fast, colourful and percussive piece which showcased the organ’s vast array of sound combinations as well as the extreme ability of this organist.

Burchell completed the recital with a berceuse, highlighting the softer melodious voices of the organ, a triumphant forward-moving delivery of Mendelssohn’s popular War March of the Priests, Marcia di Vittoria Op.80 No.4, by Fumagalli, and the Finale, from Widor’s sixth symphony.

Altogether this was an excellent concert and a real treat to hear Norma the town hall organ in such a variety of stops and special effects, proudly demonstrated by a brilliant organist and two very talented organ "rising stars".