Having become aware of the cultural appropriation in much of her earlier work, she ups the ante to somewhat ironic effect, merging Chicago house and African-inspired beats with synth, ukulele and lyrics about white privilege.
It’s a bold statement that’s surprisingly listenable and not nearly as preachy as it could’ve been; the profusion of sounds and styles, along with Garbus’s strong vocal performance, helping considerably even if the songs don’t always hit the mark.
• Tune-Yards. I can feel you creep into my private life. 4AD.
• ★★★ and a half (out of five)
Single download: Colonizer
For those who like: M.I.A., St. Vincent, TV on the Radio
— Jeremy Quinn
