Festive cop-aganda in the vein of Die Hard, Carry-On is the straight-to-streaming Christmas action movie you didn’t know you needed this holiday season.
Blitz is a WW2 story with progressive intersectional themes at its core, which misses a more personal directorial lens, largely propped up by two great performances from its leads.
The Piano Lesson, adapted from August Wilson’s celebrated stage play, presents a thoughtful exploration of the weight of slavery’s aftermath, a reminder that generational trauma lingers long after the chains are removed.
For the first time since its inception more than 40 years ago, NHNZ Worldwide - formerly Natural History New Zealand - will no longer have a physical presence in Dunedin.
Dunedin-born director Kirk Hendry says there is nothing more special than being able to screen his latest film in his home town so his parents can watch it.
The "silent horror movie" is one of the least interesting gimmicks we’re seeing repeated in contemporary horror, and Azrael follows this well-trodden path.
High budget and low effort, Gladiator II is a poorly written, poorly directed film that’s only escaping the critical panning it deserves because Ridley Scott has something of an eye for the cinematic.
Saturday Night is Jason Reitman’s fabricated reimagining of the turbulent production immediately preceding the first episode of Saturday Night Live on October 11, 1975.