Emily Perkins’ adaptation of Henrik Ibsen’s 1879 original moves the setting to present-day New Zealand, and the home of builder Theo and his resourceful, impulsive, generous wife Nora.
My watch says it's 7.13pm. Ten or so minutes ago, when the show began, the overalled performer (who is he: a Zen master, an amateur philosopher, a tradesman with psychotherapeutic ambitions?)...
With their cellphones in flight mode and in reclining chairs, the audience travelled the light fantastic at Anthonie Tonnon's A Synthetic Universe staged in the Otago Museum Guardian Perpetual...
The Taieri Dramatic Society continued its 70th anniversary celebrations with a play written and directed by Geoff Smith, regular local performer, director and onstage man.
The Australian musical Priscilla, Queen of the Desert opened for a season last night in a packed Regent Theatre. Dunedin Music Theatre's producer Doug Kamo and team (production manager Heidi...
No scabs! No narks! No traitors! This is the family motto that Aunty gets her audience (or should I say her whanau) to chant during a one woman comedy performance at the Fortune Theatre.
Sarah Harpur is one brave and funny lady. Lucky for the crowd at the Fortune Studio tonight, because we all get what we'v come for: an hour of honest laughs, knowing little cringes, and a story that is well worth listening to.
Dunedin's boutique opera group Little Box of Operas opened a three-night season at Hanover Hall last evening with two short comic operas, conducted from the piano by David Burchell and directed by...
Central Otago Man is a play about Otago born and bred Tryfen Gribilco, who runs a high-end bungy-jumping business with the assistance of the rule-abiding Marty Wellings.
In 1891, public perfomances of Henrik Ibsen’s Ghosts were prohibited in England, but critics who saw a private production described the play as "revoltingly suggestive and blasphemous", "abominable...