Reviewed this week are albums by Mick Harvey, Mark Lanegan and Duke Garwood, and City and Colour.
> Major Lazer. Free the Universe. Secretly Canadian
This second Soul Jazz Records sampler of German electronic music from 1971-83 takes in more from heavyweights Can, Neu! and Faust but includes a host of other acts that extend themselves beyond krautrock's locked-in, mesmeric jams.
The classically trained voice of Brisbane-born Kate Miller-Heidke is a beautiful thing, lifting her dark pop music to soaring heights in the more dramatic sections of this, her third studio album.
The debut album from Danish artist Soren Lokke Juul, performing as Indians, transports Bon Iver's man-alone electro-folk to a wintry Scandinavian setting that is slowly beginning the thaw.
For close to 30 years, Hoboken band Yo La Tengo has tested many approaches to making absorbing rock music, from neat-as-a-pin pop numbers to sprawling sonic diversions, and, while not all of it...
Given their varying careers - Anika Moa, the singer-songwriter with acoustic guitar; Hollie Smith, the soulstress who dabbles in electronica; and Boh Runga, the frontwoman of rock-pop act Stellar* - it's little surprise that their collaborative album should cover so much ground.
Crystal Castles. III.Shock.
> The Rubens. The Rubens. Ivy League Records. Australian quartet the Rubens have drawn comparisons to the Kings of Leon for their crushed-soul sound but the more glaring influences are...
> Beachwood Sparks. The Tarnished Gold. Sub Pop. Sounding like it's been around forever, the third album from Californian collective Beachwood Sparks is in thrall to the sound of droopy...
New Zealand Music Month was marked at Wednesday's lunch-time concert in Marama Hall, with music by New Zealand composers, including some premiere performances.
University of Otago Music Department's Showcase concerts on Wednesday lunchtimes in Marama Hall cover many different genres and performers.
An excellent programme delivered with concentrated and cohesive playing by an ensemble from the NZSO led with an admirable intelligence and lack of pretension was applauded with enthusiasm by the audience at the Regent Theatre last night.
It has been an interesting music year for the Otago Daily Times reviewers. Today, Paul Mooney shares his top albums for 2011 and one to watch.
If Some Girls isn't the best Rolling Stones album - and it's not - it's surely the most fascinating in terms of the band's history and development.
Royal Dunedin Male Choir Lion Foundation Arena Monday, December 5
Marama Hall's Wednesday lunchtime concert yesterday was a celebration of Otago University alumni John Ritchie's 90th birthday.
Ritchie's life has been one of music performance, conducting and teaching for which he received a Composers Association of New Zealand citation in 1992.
Improvisations on Classics Music performed yesterday at the Marama Hall lunch time concert was something new to most of the audience, as Trevor Coleman (piano, trumpet) and Nick Cornish (alto and soprano saxophones, cor anglais, flute) performed improvisations on popular works from classical repertoire.
An exciting programme of Hungarian music was presented at Marama Hall on Tuesday by the New Zealand String Quartet - Helene Pohl and Douglas Beilman (violins), Gillian Ansell (viola) and Rolf Gjelsten (cello), and international Hungarian piano virtuoso Peter Nagy.
Marama Hall was filled with the sound of the Puspawarna Gamelan Ensemble during yesterday's lunchtime concert.