Art isn't magic. Designers can't wave wands and change obdurate facts, though some people seem to think they can.
The proposed waterfront hotel and apartment block is in the news again. A city council committee declined the application for its resource consent.
It seems the New Zealand art market has not only recovered from its post-2008 financial crisis contraction but is experiencing an all-time high.
What impels people to attack works of art?
An exhibition at the Dunedin Public Art Gallery, a special report on museums in The Economist and the success of Toitu Otago Settlers Museum's new galleries shed light on enduring challenges for museums - and point to new opportunities.
The Cargill Monument in the Exchange has recently emerged from its most extensive restoration ever.
There have been some record prices achieved for works of art recently.
Dunedin is adopting a new generation of street furniture. It's happened before with varying results and we should try to do better this time.
The 'Hotere Culbert'' exhibition at the Dunedin Public Art Gallery is spectacularly good but the institution could improve its performance.
Are we in the middle of a heritage renaissance? During Sir Neil Cossons' recent visit, he said several times that we are.
The reaction to relocating 85 jobs from Invermay shows an unusual political process at work, which is heartening in its potential.
Never trust an artist's impression of any proposed new development.
Some will be daunted by just the idea of the large contemporary show at the Dunedin Public Art Gallery.
The Dunedin City Council has made an unholy mess of selecting a commemorative sculpture for the Botanic Garden.
It's been a good time for looking at Japanese prints in Dunedin lately.
So, where are we now? The hearings committee has declined resource consent for the waterfront hotel.
Is the Dunedin City Council digging a hole for itself at the Botanic Garden? Whatever the outcome of the process it has set up to commission a public memorial of the garden's 150th anniversary, I rather think it is.
Gary Blackman's exhibition of magnificent digital photographs ''Late Entry'' at the Brett McDowell Gallery is over as you read this. No matter.
There have been some losses from the ranks of Dunedin's dealer galleries but the survivors and their public counterparts still provide a varied and sometimes impressive range of offerings.
There have been changes at several of our arts institutions recently which can seem a bit dizzying or even like musical chairs.