Much work to honour Garrison Hall

A photo of Garrison Hall by Frank Coxhead taken sometime in the first few years after it was...
A photo of Garrison Hall by Frank Coxhead taken sometime in the first few years after it was constructed in 1879. Photo: Hocken Collections
In Dunedin buildings can reveal a rich vein of history. This week The Star reporter Sam Henderson uncovers the twists and turns of history of Dunedin’s Garrison Hall.

The story of buildings is also the story of people, showing how connected we all are.

Garrison Hall, in Dowling St, has a distinctive history of connection and communication, starting with its opening in 1879.

Designed by Mason & Wales architect Nathaniel Wales, it originally served as a training ground for volunteer militias, with a royal coat-of-arms above the entrance bearing the Latin phrase "Dieu et mon droit", meaning "God and my right", the motto of the monarch of the United Kingdom.

At a time when local defence was seen as vital, volunteer units were woven into everyday life.

The hall quickly became a centre of entertainment too, hosting events such as balls, banquets, concerts, art exhibitions and one of the city’s earliest cinema screenings.

In 1916, Garrison Hall was taken over by the postal department when the old post office was condemned, and this "temporary’ arrangement lasted until the new post office opened in April 1937.

In 1949, a basketball court opened there, and part of the ground floor became a rest centre for older people.

From early origins as a military drill hall, Garrison Hall continues to maintain a vital presence...
From early origins as a military drill hall, Garrison Hall continues to maintain a vital presence in Dunedin. Photo: Sam Henderson
The first public television broadcast in Dunedin took place in 1962 from Garrison Hall.

The New Zealand Broadcasting Corporation and its later iterations, including Television New Zealand and the later international production company NHNZ, produced many hours of entertainment here that were enjoyed not only in New Zealand but across the globe.

As well as news and magazine programmes, some of the first local shows included children’s favourite Play School, teen magazine show Spot On, panel show Beauty and the Beast and religious music show Praise Be.

A former presenter who still has a strong link to the building is Animation Research founder Sir Ian Taylor.

He has fond memories of the first time he entered Garrison Hall in 1969.

"I was 19, I walked up the stairs, I was a singer in a rock and roll band and I sang I Saw Mummy Kissing Santa Claus in the TV studio that was here."

From being a presenter on shows such as Spot On, Sir Ian formed his own production company Taylormade Media and rented space in the building. Later he moved his business to the former Public Trust building, but retained a soft spot for Garrison Hall.

In 2010, when NHNZ was preparing to move out of the building, then managing director Michael Stedman contacted Sir Ian saying he planned to sell Garrison Hall but needed a tenant.

Animation Research owner Sir Ian Taylor shows where an enterprising props person painted the raw...
Animation Research owner Sir Ian Taylor shows where an enterprising props person painted the raw walls of the hall to resemble a cave in France for English naturalist David Bellamy’s television series Moa’s Ark. Photo: Sam Henderson
A deal was made to sell the building to heritage specialist and founder of project management company Octa, William Cockerill, with Animation Research taking on a multi-year lease.

Mr Cockerill worked to clear the "rabbit warren" inside the hall.

"We counted on average three layers of ceilings and two or three layers of walls," Mr Cockerill said.

He began a process of creating internal spaces that used glass bricks and skylights to help bring natural light into the building.

Sir Ian said he admired the work Mr Cockerill had done to preserve the hall.

"I think of the building as a person, she has got this history.

"I feel her almost grateful that someone has taken the care to put her back, to honour what she has done.

"She was once a three and a-half thousand people concert chamber, and what do we do now? We have a global audience of millions that come from here."