Strong, enthusiastic performances on display

The Dunedin RSA Choir. PHOTO: SUPPLIED
The Dunedin RSA Choir. PHOTO: SUPPLIED
Towards the Light, RSA Choir and Knox Choir, Knox Church, Friday, November 22.

Dunedin RSA Choir’s final event for the year was last Friday evening in Knox Church.

Musical director Karen Knudson, also Knox organist and choir director, planned a programme entitled “Towards the Light” combining her two choirs with strong local vocalists and invited choristers to number 80 singers aged 5 to 90-plus, with an orchestral ensemble of 13, organist (David Burchell) and pianist (Sandra Crawshaw).

The good-sized audience enjoyed some excellent music. Sound Ye Trumpets with ornamented trumpet obligato from Ralph Miller was a robust well-paced opener, followed by Gershwin’s popular Summertime sung with the choir by soprano Erin Connelly-Whyte. RSA Scholar Jesse Hanan (tenor) contributed the A.H.Malotte version of The Lord’s Prayer, then the youngest guest artist Robert Eyers who turned 8 last week, amazed everyone with his incredible expertise at the pipe organ. Firstly a confident intelligent delivery of Bach’s Prelude and Fugue BWV559 , then Humoresque - Toccatina for Flute by Pietro, using soft flute pipes to highlight delicate lyricism over rapid accompaniment. Little feet and fast fingers astounded in a phenomenal performance by one so young.

Combined choir members entertained for the remainder of the first half of the programme and included A City Called Heaven with stylistic solo verses from RSA Scholar baritone Kieran Kelly, O Nata Lux (Lauridsen), a Maori text from Romans 8 Aroha O te Atu set by Knudson for choir and three soloists (Claire Barton, Erin Connelly-Whyte and Rosie McAllister), a rousing Glory Hallelujah with trumpet gilding, and a choral arrangement of Cohen’s popular Hallelujah .

J.S.Bach’s half-hour sacred cantata Sleepers Awake (1731) accorded strong enthusiastic singing, with vocal solo passages among the seven traditional sections of recits, airs and chorales, and some excellent orchestral interludes (oboe-Nick Cornish, violin-Claire Anderson, flute-Philippa Fotheringham). A Dan Forest version of the Wesley hymn And Can it Be ended an enjoyable event, compered by Kevin Tansley.