Brenda Harwood reviews the Taieri Musical Society's performance of Chicago at the Mosgiel Coronation Hall — Thursday, September 22.
Exciting anthems combine with clever, risque dance moves to make Taieri Musical Society’s production of popular musical Chicago a fun and entertaining experience.
Directed by Kim Morgan , with musical direction by Bridget Telfer-Milne and choreography by Emma Donaldson, this production of Chicago is a brave combination of true-crime story and vaudeville show.
In the role of frustrated and imprisoned chorus girl Velma Kelly, Lara Davidson anchors the performance with powerful singing, great dance moves, and nice characterisation.
Jennifer Hughson is delightful in the role of Roxie Hart, intent on stardom and avoiding a murder rap, while Max Beal is top notch and in very fine voice as sleazy lawyer Billy Flynn.
Jess Clarke is superb as prison matron ‘‘Mama’’ Morton, singing really well and bringing comedy to the role, while Chelsea McRae displays fine operatic singing prowess as gullible reporter Mary Sunshine.
David Tuitama is engaging as put-upon husband Amos Hart, tugging at the audience’s heartstrings and singing well to boot.
Brent Caldwell does a nice turn as master of ceremonies, popping up at intervals to keep the action moving along.
The enthusiastic 20-strong ensemble are kept busy throughout the performance, singing and dancing their way through such well-known numbers as All That Jazz, All I Care About, and Razzle Dazzle, and taking on the roles of vaudeville performers, reporter pack, and courtroom crew, with style and verve.
An 11-strong band, led by Telfer-Milne, keeps the tempo up and the excitement high throughout the show.
Costumes designed by Jennifer Hughson help to bring the vaudeville world of Chicago to life.
All in all, Taieri Musical’s production of Chicago is great fun — a visual and aural feast.
The show continues until October 1.
