A married pair of intelligence agents, one suspecting the other of international crimes that could threaten the lives of thousands, navigate the volatile nature of their espionage-based work in their personal lives.
More Okja than Parasite, Mickey 17 announces Bong Joon-ho’s return to feature film-making six-years on from his paramount success at the Academy Awards in 2020.
Director Mike Leigh’s trademark extemporising continues in his new film Hard Truths, extending to anti-pigeon devices and very specific table choices, writes Vanessa Thorpe.
Anora, the story of a sex worker who gets a chance at a new life when she marries a wealthy client on a whim, has won five Academy Awards, including the coveted best picture Oscar.
Transcendent and singular, RaMell Ross dramatically pioneers a new cinematic language, revitalising the art of literary adaptation in his retelling of Colson Whitehead’s prize-winning 2019 novel, Nickel Boys.
David Lynch left behind the cinematic descriptor ‘‘Lynchian’’, described in the Oxford English Dictionary as "juxtaposing surreal or sinister elements with the mundane".
Hollywood stars descend on London on Sunday for the BAFTAs, Britain's top movie honours, where the papal thriller Conclave and period drama The Brutalist look set to face competition from Anora.
In 2018, Christian Gudegast directed Den of Thieves, an action heist movie much in the vein of Michael Mann’s 1995 classic Heat melded with an energetic Ocean’s plot: an aggressively masculine retelling of the former combined with a sleazier version of the latter’s narrative.